Editorial Reviews Review "Largely to amuse herself, [ Gertrude Stein ] wrote The Autobiography of Alice B. Toklas in 1932...using as a sounding board her companion Miss Toklas, who had been with her for twenty-five years. It has been said that the writing takes on very much Miss Toklas' conversational style, and while this is true the style is still a variant of Miss Stein's conversation style. ...She usually insisted that writing is an entirely different thing from talking, and it is part of the miracle of this little scheme of objectification that she could by way of imitating Miss Toklas put in writing something of her own beautiful conversation. So that, aside from making a real present of her past, she created a figure of herself, established an identity a twin, a Doppelganger.... The book is full of the most lucid and shapely anecdotes, told in a purer and more closely fitting prose... than even Gide or Hemingway have ever commanded .... "-- Donald Sutherland"... The record of nearly thirty years of life in a fantastically changing Paris and else where -- a life passed in the most stimulating and important society."-- Louis Bromfield"... One of the richest, wittiest, and most irreverent [biographies] ever written."-- William Troy From the Inside Flap Stein's most famous work; one of the richest and most irreverent biographies ever written. From the Back Cover Largely to amuse herself, Gertrude Stein wrote this book in 1932..using as a sounding board her companion Miss Toklas, who had been with her for twenty-five years. The book is full of the most lucid and shapely anecdotes, told in a purer and more closely fitting prose...than even Gide or Hemingway have ever commanded. About the Author Gertrude Stein was born in Allegheny, Pennsylvania--a fact she took perverse pleasure in--on February 3, 1874, into a family as vividly unconventional as one might expect of such a free spirit. Her grandparents were German-Jewish immigrants who had prospered in the United States; her parents, beguiled by art, languages, and educational theory, whisked the young Gertrude off to Europe (first to Vienna, then to Paris) as soon as it was safe for an infant to travel. As Stein later wrote: 'So I was five years old when we came back to America having known Austrian German and French French, and now American English, a nice world if there is enough of it, and more or less there always is.' The family's return to the United States was soon marked by yet another exotic migration: they crossed the country by train to settle in Oakland, California. Although she received a spotty education as a child, Gertrude read voraciously. In the fall of 1893 she followed her brother Leo to Cambridge, Massachusetts, where she enrolled in Radcliffe College. English instructors complained of her wayward syntax and made her rewrite papers, but she developed an abiding interest in psychology and became an outstanding pupil of William James, who persuaded her to go on to study medicine at Johns Hopkins. Yet she abandoned medical school in her senior year, claiming she 'could not remember the things that of course the dullest medical student could not forget.' In 1903 she joined her brother in Paris and took up residence in a ground floor flat at 27 rue de Fleurus. 'It was not what France gave you but what it did not take away from you that was important,' Stein later remarked by way of explaining her forty-three-year residence in Paris. Perhaps the most celebrated expatriate of her time, she officiated over a famous salon in the sixth arrondissement that became a mecca for virtually all writers and artists participating in the dawn of modernism in Europe. There she sat like a great Jewish Buddha surrounded by the paintings of Matisse, Picasso, and Braque, while the artists themselves settled at her feet. Likewise, she enjoyed literary friendships with Hemingway, Fitzgerald, and other writers who flocked to Paris between the two world wars&mdashand whom she dubbed the 'Lost Generation.' Stein's own single-minded commitment to forging new forms in literature, as well as her emphasis on the color, sound, and rhythm of words, earned her a unique place in the world of letters. She produced idiosyncratic and experimental poems, plays, 'word-portraits,' and novels-- including Three Lives (1909), Tender Buttons (1915), and The making of Americans (1925)--which admirers hailed as innovations in the use of language. Her famous line- 'A rose is a rose is a rose is a rose'--was endlessly quoted, misquoted, and even ridiculed, yet it kept the name and image of the plump, cropped-hair author firmly before the public. 'My little sentences have gotten under their skins,' she boasted. But of course it was the publication in 1933 of The Autobiography of Alice B. Toklas, which F. W. Dupee calls 'one of the best memoirs in American literature,' that forever consolidated her fame. Stein and Toklas were spending the summer at their country residence near Bilignin in the Rhone valley when World War II broke out in September 1939. They made a hasty overnight trip to Paris to see what could be done about protecting their paintings and then returned to the country 'to await developments.' The two did not leave the region again until the end of 1944, and in her journal, Wars I Have Seen (1945), Stein offered a vivid, moving account of daily life in France during the years of German occupation. With the liberation, she returned to Paris and was grateful to find her valuable art collection had not been vandalized or stolen. Soon American GIs flocked to her apartment on the rue Christine, where she and Toklas had moved before the war. While on vacation in 1946 Stein became seriously ill and was advised to see a specialist immediately; within days she entered the American Hospital at Neuilly to undergo surgery. Gertrude Stein died firmly in character on July 27, 1946, having delivered from her hospital bed a final illustration of her searching wit. 'What is the answer?' she inquired of Alice, and getting no answer said, laughing, 'In that case, what is the question?' Read more